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Peep!

25 Mar

Five Must Own Hip Hop Documentaries

The Weird Turn Pro: A Playlist

10 Mar

Yo La Tengo I heard You Looking

Funkadelic Cosmic Slop

Captain Murphy Between Friends

Black Star Respiration

DJ Spooky Peace in Zaire

Tuned Mabaadu Viva Disco

Sunny Risky & The Vitamin Explosions Atak Mfat Eyen

Femi Kuti Truth Don Die

Hotline Can You Do it? 

Extra T’s (Corn Flakes) I Like it

Al Hudson and the Partners You can do it

Aleke Kanonu Keep New York Clean

Beverley’s All Stars Be Yours

The Soul Survivors Mama Soul

The Equatics Merry Go Round

Ray Barretto Acid

George Darko Akoo Te Brofo

Giorgio Moroder Munich Machine Party Light

Sebastian Tellier, Mr. Oizo& Sebastian Chivers as a Female

Its a Fine Line Woman

Mann Parrish Hip Hop Be Bop

Cold Crush Live in ’81

 

 

 

 

More Than U Know

26 Feb

Dropped this one down last night.

 

BM

Geeking Out on CBGB

17 Feb

Sometimes it just feels right.

Prophets

10 Feb

 

submarcoshorse

 

 

“Wind Below”

Flip this capital eclipse
Tha vocal tone has got ’em sweatin’ their own apocalypse
Yes, rebel of tha grains stand masterless
Tha masked ones cap one
NAFTA comin’ with tha new disaster
And yes we in wit tha wind an tha plan de Ayala kin
Are comin’ back around again
Tha slave driver saliva, one night power turns
Them devils mouths dry, now Mexico burns
So here they come one by one them killers of the new frontier
Occupy, causin’ fear, come on
Wit the wind
belowWe in wit the wind below
Wit the windFlip this capital eclipse
Them bury life wit IMF shifts, and poison lips
Yo they talk it, while slicin’ our veins yo so mark it
From the FINCAS overseers, to them vultures playin’ markets
She ain’t got nothin’ but weapon and shawl
She is Chol, Tzotzil, Tojolobal, Tzeltal
The tools are her tools, Ejidos and ovaries
She once suffocated, now through a barrel she breathes
She is the wind below
The wind
She is the wind below

And all the shareholders gonna flex, and try ta annex the truth
While the new trust is gonna flex, and cast their image in you
Yeah all the shareholders gonna flex, and try ta annex the truth
And while the new trust tries ta flex, and cast their image in you
And GE is gonna flex and try and annex the truth
And NBC is gonna flex and cast their image in you
And Disney bought the fantasies and piles of eyes
And ABC’s new thrill rides of trials and lies
And while the gut eaters strain to pull the mud from their mouths
They force our ears to go deaf to the screams in the south
Yeah!
But we in wit the wind below!
But we in wit the wind below!
But we in wit the wind below!

~Zack De La Rocha

Review of the New Tribe Album

25 Nov

Low(er) End Theory

The Most Perfect Rap Song Ever Written

30 Aug

 

nas-statement-on-american-unrest-main-715x582

I can’t front like I was one of the first wave of people to hear “Illmatic” when it became a Source instant classic. The first Nas album I copped was “It was Written”.  Later in the year I bought “Illmatic” but I didn’t really give it much listen til about 1998.  I first discovered Nas my junior year in high school watching Rap City.

It is easy to say that “Illmatic” was a far superior product (fairly or unfairly, this remains his best album), but there is no telling how long it would have been until I discovered “Nasty: Nas had it not been for his sophomore album, and his hit single, If I ruled The World.

Even though the song is 20 years old, it resonates for me even stronger today than when I first heard it. In my opinion, this is the rap equivalent to Prince’s “Take Me With U” as far as constructing the perfect song.

What makes this song so perfect?

Well, the nods to old heads like Whodini and Kurtis Blow, with the Friends sample and Lauryn Hill sung chorus help, but if the lyrics were wack, then it would all be for naught. The lyrics to this song evoke a modern day Langston Hughes, idealistic and inspirational. Only a young man could write a song so idealistic and not have it met with sarcasm or cynicism.

Before he even goes in on the beat, Nas says “Life, I wonder  will it take me under? I don’t know.”

Verse 1 [Imagine smoking weed in the streets without cops harassin’
Imagine going to court with no trial
Lifestyle cruising blue Bahama waters
No welfare supporters
More conscious of the way we raise our daughters

Days are shorter, nights are colder
Feeling like life is over, these snakes strike like a cobra
The world’s hot my son got knocked, evidently
It’s elementary, they want us all gone eventually
Trooping out of state for a plate of knowledge
If coke was cooked without the garbage
We’d all have the top dollars

Imagine everybody flashin’, fashion, designer clothes
Lacing your clique up with diamond Roles
Your people holding dough, no parole, no rubbers
Go in raw,
imagine law with no undercovers
Just some thoughts for the mind
I take a glimpse into time

Watch the blimp read “The World Is Mine” ]

If the first verse were the only rap in the song, it would read a lot like your average 21 yr old rapper’s daydreams. Legal weed, uncut coke, nice cars, designer threads, and a shout out to Brian DePalma’s hood classic, Scarface are interlaced throughout it. Nas is just warming the listener up. The first verse is reserved for the more hedonist fantasies, court with no trial, lots of money and being able to have unlimited unprotected sex was my dream from the ages of 18-21. I can see where he was coming from there.

Verse 2 [The way to be, paradise like relaxin’
Black, Latino and Anglo-Saxon

Armani Exchange deranged
Cash, Lost Tribe of Shabazz, free at last
Brand new whips to crash, then we laugh in the iller path
The Villa house is for the crew, how we do
Trees for breakfast, dime sexes and Benz stretches
So many years of depression make me vision
The better livin’, type of place to raise kids in

Open they eyes to the lies history’s told foul
But I’m as wise as the old owl
, plus the Gold Child
Seeing things like I was controllin’
, click rollin’
Tricking six digits on kicks and still holdin’
Trips to Paris, I civilized every savage
Give me one shot, I turn trife life to lavish
Political prisoner set free, stress free
No work release, purple M3’s and jet skis
Feel the wind breeze in West Indies
I make Coretta Scott-King mayor the cities
And reverse fiends to Willies

It sounds foul, but every girl I meet’d go downtown
I’d open every cell in Attica, send ’em to Africa]

Nas dots the rhyme scheme of verse 2 with more images of good weed in the morning, hot chicks and Benz stretch limos. He even manages to throw a little shade at chicks who don’t perform fellatio. Nas was kinda low key savage.

The bridge of the song, sung by Lauryn Hill,  is an interpolation of the Delfonics’ Walk Right Up To The Sun. It creates a beautiful apex in the song that is almost becomes gospel. Getting Lauyrn Hill on to sing the hook in this track was a genius move. This would be a much different kind of song altogether if Nate Dogg were singing instead–of course no disrespect to Nate. #GodBlessTheDead

Nas goes in on verse 3 though:

[You’d love to hear the story how the thugs live in worry
Duck down in car seats, heat’s mandatory
Running from Jake, getting chased, hunger for papes
These are the breaks, many mistakes go down out of state

Wait, I had to let it marinate, we carry weight
Trying to get laced, flip the ace, stack the safe

Millionaire plan to keep the gat with the cocked hammer
Making moves in Atlanta, back-and-forth scrambler
‘Cause you could have all the chips, be poor or rich
Still nobody want a nigga having shit

If I ruled the world and everything in it, sky’s the limit
I push a Q-45 Infinit(i)
It wouldn’t be no such thing as jealousies or B Felonies
Strictly living longevity to the destiny
I thought I’d never see, but reality struck
Better find out before your time’s out, what the fuck?
]

By this point he has the listener sucked in. He goes #fullsass by describing the downsides of living the hustler lifestyle. Nas is saying that there is alternative to this life and he was fortunate enough to see it crystallize for himself. This is like some John Lennon shit for the hood. Nas is rapping for those dreamers caught up in the neighborhood struggles. This song illustrates to all the folks in his neighborhood that there is another reality, and he knows because he is living it.

 

The video to the song, full of images of everyday hood folk, is a contrast to the lofty fantasy scenarios Nas is rapping about. The only hint of the materialism that Nas aspires for is the lighting during the city shots at night. By filming Nas atop the roof of a limo, its almost if Nas is saying “Yea I made it, but I’m still a man of my people.”

Much like the song, the video has balance. It balances the everyday people from his neighborhood with the newfound things he is privy to with his (then) recent fame. The song itself balances materialism with the everyday desires of people from the working class. Sex and money are great, but so is being able to get through the day with as little unnecessary hassles as possible.

When you come from places like the area Nas grew up, there is an overwhelming abundance of people who want to fuck with you (drug dealers, stick-up kids, the police, even the system itself). Sometimes being able to smoke weed in peace is as good of a moment a person can achieve for the day. The video has elements of empathy sprinkled in with moments of flashiness. Neither tactic is over the top however.

There used to be a balance in the hip-hop world, and funnily enough, 1996 was beginning of the end to that. By 1998, materialism  or “bling rap” would almost completely take over the airwaves; taking Nas’ career with it (though he would come back to the side of the proletariat with later music). Before anyone could “hate Nas now” because of his exclusionary rap lyrics, he wanted to take his people along for the ride. If I Ruled The World was an attempt to uplift its listeners not taunt them. I would be hard pressed to think of another hip-hop song to achieve this without coming off as corny or naive. I’ll take this song over “Ether” any day of the week.

 

BM

Bobby Mickey is the alter ego of writer and poet Edward Austin Robertson. When he isn’t involved in some basketball related activity, actively looking for parties to deejay or venues to perform comedy, he can be found recording podcasts with Craig Stein at Fullsass Studios. Follow him on twitter @clickpicka79. For booking inquiries, send contact info to thisagoodassgame@gmail.com. 

 

Still Chasing….. mini playlist

21 Jul

Soren Juul –Dear Child

De La Soul- Royalty Capes

Beck- Cellphone’s Dead

B-52’s- Whammy Kiss

Pete Shelley- Telephone Operator 

Willy Wonka- What is House?

Logic- The Warning

Fabio Macor- Suddenly

Chromatics- Ceremony

Devo-Gut Feeling

Shadowy Men on a Shadowy Planet- Having an Average Weekend

Elvis Costello- Accidents Will Happen

Spacemen 3- Its Allright

Janet Jackson –Night

 

 

Down the Rabbithole Playlist

8 Jun

 

De La Soul-Pain

Beastie Boys-And Me

Bent-A Ribbon For My Hair

Rui Da Silva Touch Me

Jay-Z & Pharrell- FCK All Night

All Night Long-Mary Jane Girls

Sebastian-Arabest

Flume-Holdin’ On (Kaytranada Edit)

Jaye Williams-Let Me Be The One

Run The Jewels-DDFH

Satin Jackets- Girl, Forever

Top 10 Radiohead B-sides (in no particular order)

5 Jun

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In honor of Radiohead officially becoming “Dad Rock”with the release of A Moon Shaped Pool, I wanted to take a second and celebrate their immense songwriting catalog. I hate to say it, but this is their All That You Can’t Leave Behind (U2’s tenth album while AMSP is Radiohead’s 9th LP). It happens though, everyone loses their fastball at one time or another, even writers. It is crazy to cull the archives and look at just how many good songs were not good enough to make their albums.  It really goes to show how productive the band was from 1995 to 2001 (Bends, then OK Computer, but I’ve always thought there could have been 3 albums from Kid-A/Amnesiac era).

 

Bishop’s Robes When I went off to college, I was thrilled to meet a guy in my dorm who was an even bigger Radiohead fan than I was. He made me a CD with all of the B-sides from their (then) 3 albums. From the period between the Bends and OK Computer, this was immediately one of my favorites.

Gagging Order One of the prettiest songs from the Hail To The Thief era. The band decided it was better off being just a B-side. Listening to the album, you can see that it doesn’t quite fit with the rest of the playlist, but that doesn’t change how beautiful it is.

India Rubber A true throwaway that never really went anywhere. Every time I hear this song, I want to throw on my Chuck Taylors, blue jeans, and my old Speed Racer T-shirt. This was also the first time I heard the word “supplicate”.

Trickster  A great one from the Bends era, that has that pure 90’s guitar sound. I wouldn’t have complained if this were included on the album.

Pearly OK Computer could have been a bloated double album like  the Smashing Pumpkins’ Melancholy and the Infinite Sadness, but instead Radiohead released a bunch of EP’s and B-sides to accompany the album. A pretty smart move in my opinion. This period also featured my favorite cover art by Stanley Donwood. I would get chills looking at the album art as I spaced out on my headphones.

Worrywort This one sounds like a video game. Very mellow, but also a good message in the lyrics. I spent a great deal of my early 20’s with the Amnesiac B-sides playing through my earphones.

Punchdrunk Lovesick Singalong This one is a slow build, but its climax is glorious. I may or may not have put this on a mix CD for a girl in college.

Fog  Probably the second best B-side the band has ever done. For some reason they really don’t dig the studio version–which I love. “Hey man!You like Radiohead? Have you ever heard the studio version of Fog? I mean have you ever heard the studio version of Fog….. ON WEEEEEDDD?”

Talk show Host The first time I heard this song was on a field trip to Houston. One of the girls in the van convinced the business teacher to put the Romeo and Juliet Soundtrack. I dug it immediately,( but was still a closet Radiohead fan) so I filed it to memory, and bought the cassette tape at Sam Goody the following week. Probably one of the sexiest songs ever written. The girls in the audience went crazy when they played this on the OK Computer tour.

Million Dollar Question  Maybe the best B-side from Pablo Honey. The bassline during the bridge is phenomenal. The breakdown at the end is pretty fun as well.

 

 

Honorable Mention

Banana Co. This one has that trademark Jonny Greenwood guitar solo that earmarks the mid 90’s era. Its not their best B-side, but its a hard one for me to skip when it comes up on a playlist.

Butcher This is a good one from the King of Limbs sessions. Instead of doing a full album with everything they recorded this session, they put out a couple of EP’s to accompany the album. This song may have been as good as anything from The King of Limbs

Lull  (4:27) A great song to wake up to in the morning. This was usually the first thing I heard before heading off to Biology class.

I Will (L.A. Version)  My preference to the one released on the Hail to the Thief album. Colin Greenwood’s bass playing adds another dimension to it. They probably took it out because it sounded too much like something they would play.

Transatlantic Drawl Feedback, and a killer bassline make this song a nice change of pace for the Kid A/Amnesiac sessions. They do get a little weird with some effects at the end. I think my brain would have exploded had I heard this on either album.

How I Made My Millions One of the more beautiful songs to never be developed. The band says they simply can’t add anything to it.

Palo Alto An upbeat rocker that is a great number to throw on during your Saturday morning cleaning.

Cuttooth The B-side that bred the lyrics to Myxomatosis. Good work by the rhythm section on this one.

Meeting in The Aisle Precursor to the direction that the band was going during the Kid A/Amnesiac sessions.

Kinetic A very haunting industrial track. Its a grower for sure. Best listened to on headphones.

Maquiladora This song really captures the three guitar attack best.

Yes I am This is nice groove with a little bit of whine and cheese to it. Jonny’s guitar playing provides a nice edge to it that keeps it from sounding like old Pavement.

Permanent Daylight This was before they killed their guitars, played super repetitive melodies on piano, and built their songs around that riff. This is another echo of a distant time, evoking a bit of Sonic Youth.